I’m not going to provide a real review or a star rating for this movie because I haven’t watched it. Yeah… there’s my confession up front. Essentially I saw this movie on Leo’s filmography where he was a little bit further down the credits list than usual and so I googled it, only to find out that he’s only in the movie for 5 seconds. How he got credited for this I’ll never know. But I present to you his role… ‘Guy’. Enjoy!
So today we’re kicking off our look back over the career of Leonardo DiCaprio by starting with his debut big screen outing in Critters 3. Off the bat, I’m sure that most readers will safely assume that this is not a great movie and you’re spot on.
The movie is essentially a cheap and nasty immitation of some of the Spielberg’s most beloved and best works of the 70’s and 80’s. There are shades of Close Encounters, E.T., and most obviously, the Spielberg produced Gremlins. Unlike some of those classics however the script is shoddy, with no stand out characters. These characters also don’t carry and convey the dread and horror of what is really happening—it’s all just one big cartoon with no one really deasling with the fact that their step-father or friend has just been eaten alive. It feels like one big cartoon. There is no effort in the story telling or the film-making, although I must admit, the critters them selves are quite cool, if ridiculous.
It’s kind of freaky seeing Leo at age 14/15. Many of his expressions and mannerisms are still there which make it more clear when looking at his later films which are really ‘Leo’s mannerisms’ as oppossed to the individual character he is portraying. Hearing little Leo say ‘horse shit’ exactly the way he does in Titanic, with the same expression on his face is something you have to see for yourself.
If I’m honest, DiCaprio is the only reason I got through this film. There are films that are a lot worse than this, I can think of many, and it’s not that DiCaprio is particularly amazing at all, it’s just that he is the only familiar face and the only one that your eye is really drawn to.
He has nothing really to work with from a performance stand point and as previously mentioned, the script does him absolutely no favours. Two things are quite clear to me from this first film though:-
1) You can see the potential all over young Leo in his convicing dialogue for the most part as well as his screen presence.
2) Down the line, Leo is going to be known as someone who carefully picks what films he does , often for it’s dramatic potential, but it’s clear as day here that this was just his first opportunity to get into a real movie and he took it. I’m not saying it’s a bad thing. He had to start somewhere and get more recognition. It’s just a very clear observation.
Check out the trailer below
Over the next couple of months, I’ve taken it upon myself to watch all of Leonardo DiCaprio’s films since his debut in Critters 3 in 1991. Leo is an actor I highly respect not only because he is someone who didn’t lose the plot as a child/teen star but also because he has simply made such good and interesting career moves and I honestly rate him as probably the best actor of his generation. I also happen to really enjoy a lot of the movies he is in so it will be quite a pleasure.
Why Leo? Well, I’m looking forward to trying to study (not sure how exactly) someone that i both respect and enjoy watching. The guy is a 3 time Oscar Nominee and has worked with almost all of my favourite directors so what’s not to like.
Critters 3 will be up first and I’m going to be reviewing each one as I go through them slowly but surely up to the release of his next two films The Great Gatsby and The Wolf of Wallstreet before he hangs up acting for the next few years which he has just announced. For that reason also, I think the timing is great.
The List of Movies is as follows:-
Critters 3 (1991)
Poison Ivy (1992)
This Boy’s Life (1992)
What’s Eating Gilbert Grape (1993)
The Quick and the Dead (1995)
The Basketball Diaries (1995)
Total Eclipse (1995)
William Shakespeare’s Romeo + Juliet (1996)
Marvin’s Room (1996)
The Man in the Iron Mask (1998)
The Beach (2000)
Don’s Plum (2001)
Gangs of New York (2002)
Catch Me If You Can (2002)
The Aviator (2004)
The Departed (2006)
Blood Diamond (2006)
Body of Lies (2008)
Revolutionary Road (2008)
Shutter Island (2010)
J. Edgar (2011)
Django Unchained (2012)
The Great Gatsby (2013)
The Wolf of Wallstreet (2013)
Today I was freshly reminded of Baz Lurhmann’s ridiculously flashy, vibrant, and gloriously in-your-face adaptation of the Bard’s classic. The film is a wonder to behold in itself, but the entire marketing campaign, including the soundtrack and the posters all work together to create a unique package that I struggle to describe, but absolutely love. Check out some of the one sheets below…
Love it or loathe it, Titanic’s place in cinema history is secure. Next year, Cameron’s sweeping epic returns to the big screen for a new generation to experience, and this time in 3D. An extra piece of trivia is that it is being released on the 100th anniversary of the ship’s doomed voyage. Hmmmm… Is Cameron squeezing money out of a dead ship-shaped cow, or is it a worthy return to the silver screen?